laura del mar
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Colombian actress Laura del Mar was born in Medellín and began her acting studies at the age of 15 at the Efraín Arce Aragón School. She continued her training through various workshops with renowned figures in the Colombian industry, including Alfonso Ortiz, Alejandro Aguilar, Andrés Parra, Juan Pablo Félix, Andrés Barrientos, and Greek-Colombian filmmaker Spiros Stathoulopoulos.
After earning a degree in Advertising from Universidad Pontificia Bolivariana in Medellín, Laura relocated to Bogotá to pursue her acting career. There, she appeared in numerous national and international television series, including El Capo III, Alias El Mexicano, Bloque de Búsqueda, Decisiones, De Brutas, Nada, and María Magdalena, among others.
In 2020, Laura moved to New York City to further her training, studying at the Stella Adler Studio of Acting and Atlantic Acting School. She later relocated to Los Angeles, where she is currently based and represented by Sovereign Talent Group.
In 2026, she published her first book, “La actuación como acto de valentía”, in which she shares reflections and personal experiences on the craft of acting, fear, intuition, and the courage to take risks in an artistic career.
Alongside her acting career, Laura has expanded into writing and producing, bringing her own stories to life through FURIA Creative, her Los Angeles-based production company. Most recently, she wrote, produced, and starred in Jacob’s Things, her first original project filmed in Los Angeles, marking a new chapter in her career as both an actress and storyteller.
LA ACTUACIÓN COMO ACTO DE VALENTÍA
This work offers a profound and honest look at conscious actor training, understanding acting not only as a technique, but as an exercise in presence, ethics, and personal commitment. Starting from the premise of stage courage, the book reflects on managing fear in acting and the need to integrate technique and body on stage as an organic whole, capable of sustaining solid and authentic creative processes.
Far from idealized narratives, the text addresses the actor's identity and the real challenges of the profession, including migration and artistic careers, as well as the search for creative processes free from emotional exhaustion. With a clear and reflective approach, this work becomes a valuable tool for actors, students, and stage creators who wish to build a conscious, sustainable, and profoundly human artistic practice.